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"Confusion
in Christian Music?"
by Ron
Rhodes
Serge Denisoff, sociologist at Bowling Green University, said: "If
you want to reach young people in this country, write a song,
don't buy an ad" (Newsweek, 30 December 1985, p. 54).
Christians have long recognized that music can be a powerful
platform from which to communicate God's truth to the masses.
Of course, music can also be a powerful platform for
communicating wrong interpretations or misrepresentations of
God's truth.
Though lyrics in most contemporary Christian songs fall within
the boundaries of orthodoxy, a small but growing percentage of
Christian songs have lyrics that are either shallow, confusing,
doctrinally errant, or even blatantly unbiblical. To illustrate
this, I will cite specific examples of lyrics which fall short
in one way or another. Since I have no desire to go on a "witch
hunt," however, I will not mention any Christian artist's name.
I would also like to mention that some of the songs I will cite
are performed by artists who--for the most part--sing
perfectly orthodox songs. But singing orthodox songs most of
the time is not enough.
To begin, I am seriously concerned about lyrics which portray
Jesus as either less than fully divine or inferior to the
Father in some way. One song declares that Jesus "was just an
ordinary man--just a carpenter from Galilee." Since I am
familiar with other songs by this artist, I know that he
believes in the deity of Christ. In His incarnation, Christ
also had a fully human nature, which is what I think this
artist meant to say. But Jesus was certainly no "ordinary man."
Jesus was God in the flesh!
Since Jesus is God, He is all-powerful. Yet He is often
portrayed in a less-than-omnipotent way. One song--a
testimonial--laments that "the Devil was in me. There wasn't
enough room to let sweet Jesus in." Another song about Jesus'
second coming says: "If you see a Man in sandals, please send
Him down my way; It might be my Master, He's coming back some
day; If you see a Man in white that's like no one you've seen
before, won't you let me know, That's the man I'm looking for.
And if you can remember, ask Him what's His name; And if He
tells you Jesus, say, 'We're so glad you came'...Then send Him
on to me." This is a description of the King of kings and Lord
of lords coming in glory?
Salvation is another issue that is sometimes shortchanged. One
song portrays Jesus as saying, "if you're sorry--I'll wash
away your sin." There is no mention of faith even though faith
is mentioned around 200 times in the New Testament as the
condition of salvation. Being just sorry never saved
anyone!
Another song, performed by one of today's most popular
Christian artists, seems unclear regarding the exclusivity of
Christianity. Though other songs by this artist portray Christ
as the "only way," this is not clear in the song under
question: "There's a call to us all to love all humanity; Every
race on the face of the earth come to unity; Reach a hand to
the Hindu mother; And a hand to the Buddhist father in love;
('Love one another as I have loved you.') Hold the hands of the
Muslim baby; And you'll see we're all created by God; (All in
the image of God); Sweet salvation calls the nations with His
voice; Every man who hears must make the choice; Who are we to
know another's heart or mind? For God alone is judge, He loves
all kinds."
Now, don't get me wrong. I'm all for loving people of every
religion. At the same time, however, it seems to me that the
highest expression of this love is displayed not by merely
reaching out "a loving hand" but by sharing with them that they
are totally and irrevocably lost as long as they don't have
Jesus in their lives.
It is not surprising that the Positive Confession movement has
also found its way into contemporary Christian music. As one
popular Christian artist sings, "Let the weak say 'I am
strong;' Let the sick say 'I am healed;' With words of faith
confess it. And in the name of Jesus claim it. Because what you
say is what you get."
And what gives us the strength to get through each day? One
song tells us: "In my heart I know there's someone
[Christ] who believes in me. I know that He believes in
me. He believes in me. That gives me the courage to be what I
must be, He believes in me." Where's the supernatural
empowering of the Holy Spirit in this?
Those of us who succeed in living a life worthy of God can look
forward to the Rapture, according to another song. We will be
raptured "if to God we have been true, and we've lived above
all sin." This "Rapture" may be a peopleless event!
Before I'm accused of being a mudslinger, let me affirm that I
praise God for Christian music. I can't count the number of
times I have been personally blessed by one Christian artist or
another. Make no mistake about it, Christian artists have been
mightily used by God to communicate His Word. And many people
have come to know the Lord through such music. My point,
however, is that every artist--by virtue of the enormous
platform they have, commanding the attention of millions of
people--must be extremely cautious to insure the doctrinal
accuracy of what is said in each and every song.
Perhaps one safeguard might be for songwriters and Christian
recording companies to develop working relationships with
reputable theologians and Bible scholars who can glance through
lyrics to insure doctrinal accuracy. At the very least,
songwriters could have their pastors read through their work. I
don't think this is asking too much, especially in view of the
potentially enormous number of people who may be influenced by
the lyrics.
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